中国绘画（英文版）
“人文中国书系”共30个分册，书系旨在通过介绍中国传统文化中一些有代表性的领域或专题，展现中国文化的总体面貌。书系的作者均为相关领域的专家学者，他们广博的历史文化知识以及深入浅出的叙述方法，使读者可以通过轻松愉悦的阅读，领略丰富多彩、博大精深的中国文化。该系列丛书设计精美，内容丰富，出版以来受到国外读者欢迎，版权输出到多个国家，并被收入“剑桥文库”。
传统的中国画是中国五千年灿烂文明的重要篇章。这种以毛笔、墨、绢纸为主要工具，以点线结构为主要表现手段的造型艺术，有着深厚的传统和独特的民族风格。而20世纪的中国绘画则体现了中国艺术从传统走向现代的发展进程，反映了对西方艺术的引进、吸收，中西艺术的碰撞、融合等多种复杂形态。本书突出绘画艺术与中国文化的密切关系，讲述画作、画家、画风背后的文化故事。
Traditional Chinese painting is an important part of the 5,000-year-old Chinese civilization. This art, with brushes, ink, silk and xuan paper as main tools, and lines and dots as structure, has profound tradition and unique ethnic style. In the 20th century Chinese painting was in the process from tradition to modernity, reflecting its complexity of assimilation and absorption of Western art and clashes and blending between Chinese and Western arts. This book focuses on the close relations between the art of painting and Chinese culture, and tells the stories behind masterpieces, artists and painting styles.
Traditional Chinese painting was fundamentally an abstractModel art form.Although there were no absolute abstractModel Chinese paintings in its original meaning， objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion， a product of "heaven （nature） and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors， principle of perspective， anatomy， surface feel， and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.
传统的中国画是中国五千年灿烂文明的重要篇章。这种以毛笔、墨、绢纸为主要工具，以点线结构为主要表现手段的造型艺术，有着深厚的传统和独特的民族风格。而20世纪的中国绘画则体现了中国艺术从传统走向现代的发展进程，反映了对西方艺术的引进、吸收，中西艺术的碰撞、融合等多种复杂形态。本书突出绘画艺术与中国文化的密切关系，讲述画作、画家、画风背后的文化故事。
Traditional Chinese painting is an important part of the 5,000-year-old Chinese civilization. This art, with brushes, ink, silk and xuan paper as main tools, and lines and dots as structure, has profound tradition and unique ethnic style. In the 20th century Chinese painting was in the process from tradition to modernity, reflecting its complexity of assimilation and absorption of Western art and clashes and blending between Chinese and Western arts. This book focuses on the close relations between the art of painting and Chinese culture, and tells the stories behind masterpieces, artists and painting styles.
Traditional Chinese painting was fundamentally an abstractModel art form.Although there were no absolute abstractModel Chinese paintings in its original meaning， objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion， a product of "heaven （nature） and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors， principle of perspective， anatomy， surface feel， and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.
比价列表
公众号、微信群
缺书网微信公众号
扫码进群实时获取购书优惠