艾米莉·迪金森的欲望：拉康式解读
Introduction
Chapter One Lacans Concept of Desire and Dickinsons Metaphor
1.1 Lacans Concept of Desire
1.1.1 Tile Origin of Lacans Concept of Desire
1.1.2 The Development of the Subject
1.1.3 The Symbolic Other
1.1.4 The Unconscious
1.1.5 The Desire of the Other
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Chapter One Lacans Concept of Desire and Dickinsons Metaphor
1.1 Lacans Concept of Desire
1.1.1 Tile Origin of Lacans Concept of Desire
1.1.2 The Development of the Subject
1.1.3 The Symbolic Other
1.1.4 The Unconscious
1.1.5 The Desire of the Other
查看完整
岳凤梅，女，1971年生于辽宁省营口市。2005年毕业于南京大学，获英语语言文学专业博士学位，现为浙江丁商大学外国语学院副教授。主要研究方向为英美文学和当代西方文论。
近年曾在国内核心期刊发表《艾米莉·迪金森的反叛》（《四川外语学院学报》2004年第3期），《拉康与法国女性主义》（《妇女研究论丛》2004年第3期），《拉康的语言观》（《外国文学》2005年第3期）等数篇论文。
近年曾在国内核心期刊发表《艾米莉·迪金森的反叛》（《四川外语学院学报》2004年第3期），《拉康与法国女性主义》（《妇女研究论丛》2004年第3期），《拉康的语言观》（《外国文学》2005年第3期）等数篇论文。
《艾米莉·迪金森的欲望：拉康式解读》重点分析迪金森诗歌中所运用的大量隐喻,进而揭示隐藏在诗歌表面内容之下的个人无意识欲望。《艾米莉·迪金森的欲望：拉康式解读》的创新点在于运用拉康关于欲望的理论,从"个人的欲望是他者的欲望"的视角来扩展对迪金森的女性主义研究。
Introduction
Chapter One Lacans Concept of Desire and Dickinsons Metaphor
1.1 Lacans Concept of Desire
1.1.1 Tile Origin of Lacans Concept of Desire
1.1.2 The Development of the Subject
1.1.3 The Symbolic Other
1.1.4 The Unconscious
1.1.5 The Desire of the Other
1.2 Dickinsons Metaphor, a "Slant" Way to Tell the Truth
Chapter Two Desire of "the Poet"
2.1 Women in Nineteenth-Century America
2.1.1 The Influence of Being Nobody on Dickinson
2.1.2 Female Virtue of Giving up
2.1.3 Publication is the AuctiOn of the Mind of Man
2.2 Poet and Poetic Aesthetic
2.2.1 The Representative of the Verse is Dickinson herself
2.2.2 The World never Wrote to Me
2.2.3 Dickinsons Poetic Aesthetic of Circumference
2.3 Fame as Subjects
2.3.1 Dickinsons Sense of Lack of Fame
2.3.2 Earning Fame by Disdaining it
Chapter Three Dickinsons Unconscious Desire
3.1 Solitary and Hungry
3.1.1 Poems on Loneliness
3.1.2 Poems on Despair
3.1.3 Metaphors of Food and Drink
3.2 Imprisonment and Escapement
3.2.1 Metaphors of Imprisonment
3.2.2 Imagine the Liberty
Chapter Four The Desire of the Other
4.1 Conflict with the Other
4.1.1 Skepticism toward Omnipotent God
4.1.2 The Little Girls Disobedience
4.1.3 The Impulse to Erupt as Volcano
4.2 The Superior Status of the Other
4.2.1 Intersubjectivity between "I" and "Thou"
4.2.2 The Requirement of the Other as a Woman and a Wife
4.2.3 The Reason of Refusal
Conclusions
Works Cited
^ 收 起
Chapter One Lacans Concept of Desire and Dickinsons Metaphor
1.1 Lacans Concept of Desire
1.1.1 Tile Origin of Lacans Concept of Desire
1.1.2 The Development of the Subject
1.1.3 The Symbolic Other
1.1.4 The Unconscious
1.1.5 The Desire of the Other
1.2 Dickinsons Metaphor, a "Slant" Way to Tell the Truth
Chapter Two Desire of "the Poet"
2.1 Women in Nineteenth-Century America
2.1.1 The Influence of Being Nobody on Dickinson
2.1.2 Female Virtue of Giving up
2.1.3 Publication is the AuctiOn of the Mind of Man
2.2 Poet and Poetic Aesthetic
2.2.1 The Representative of the Verse is Dickinson herself
2.2.2 The World never Wrote to Me
2.2.3 Dickinsons Poetic Aesthetic of Circumference
2.3 Fame as Subjects
2.3.1 Dickinsons Sense of Lack of Fame
2.3.2 Earning Fame by Disdaining it
Chapter Three Dickinsons Unconscious Desire
3.1 Solitary and Hungry
3.1.1 Poems on Loneliness
3.1.2 Poems on Despair
3.1.3 Metaphors of Food and Drink
3.2 Imprisonment and Escapement
3.2.1 Metaphors of Imprisonment
3.2.2 Imagine the Liberty
Chapter Four The Desire of the Other
4.1 Conflict with the Other
4.1.1 Skepticism toward Omnipotent God
4.1.2 The Little Girls Disobedience
4.1.3 The Impulse to Erupt as Volcano
4.2 The Superior Status of the Other
4.2.1 Intersubjectivity between "I" and "Thou"
4.2.2 The Requirement of the Other as a Woman and a Wife
4.2.3 The Reason of Refusal
Conclusions
Works Cited
^ 收 起
岳凤梅，女，1971年生于辽宁省营口市。2005年毕业于南京大学，获英语语言文学专业博士学位，现为浙江丁商大学外国语学院副教授。主要研究方向为英美文学和当代西方文论。
近年曾在国内核心期刊发表《艾米莉·迪金森的反叛》（《四川外语学院学报》2004年第3期），《拉康与法国女性主义》（《妇女研究论丛》2004年第3期），《拉康的语言观》（《外国文学》2005年第3期）等数篇论文。
近年曾在国内核心期刊发表《艾米莉·迪金森的反叛》（《四川外语学院学报》2004年第3期），《拉康与法国女性主义》（《妇女研究论丛》2004年第3期），《拉康的语言观》（《外国文学》2005年第3期）等数篇论文。
《艾米莉·迪金森的欲望：拉康式解读》重点分析迪金森诗歌中所运用的大量隐喻,进而揭示隐藏在诗歌表面内容之下的个人无意识欲望。《艾米莉·迪金森的欲望：拉康式解读》的创新点在于运用拉康关于欲望的理论,从"个人的欲望是他者的欲望"的视角来扩展对迪金森的女性主义研究。
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