中国历代书法（英）
目 录内容简介
“中国古代书画欣赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。画册以通俗的语言，图文并茂的形式介绍了中国历代书法、山水画、花鸟画、仕女画、儿童生活画、动物画、当代国画等，文字简洁，内容通俗，出版了英、法、西三个文版。
“中国传统书画鉴赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。包括：《中国历代书法》、《中国历代山水画》、《中国历代花鸟画》、《中国历代仕女画》、《中国古代儿童生活画》、《中国古代动物画》、《中国当代国画》等7册。
汉字在最初创造的时候，和绘画、雕刻等造型艺术一样，都是对天、地、人的自身和万物的具体形象的描摹，然后再加以凝练。书法是在书写汉字基础上的艺术提升。世界上只有中国把书写实用文字和绘画、音乐、舞蹈、雕刻、文学这些艺术门类并列，并自成一体。
本书通过介绍中国历代书法家及其代表作，引导国外读者欣赏中国书法，感受中国书法艺术中蕴含的美感。
China has been noted for its calligraphy that evolved from handwriting but has developed into an independent art genre that can be placed on a par with painting, music, dance, sculpture and literature. Beyond all doubt, the technique of calligraphy is very important, but by no means the most important, as the ultimate aim of calligraphy is to use seemingly lifeless dots and lines to produce vivid pictures in the minds of viewers. And such imagery is only to be sensed, not explained. In other words, a calligraphic work can fully expose a calligrapher’s temperament, experience and erudition, and perfectly convey his outlook on life. And the calligrapher’s personal feelings are supposed to get a ready response among viewers. For this very reason, so far as the artistic strengths and weaknesses of a calligraphic work are concerned, different people have always held different views. Marvelous calligraphy is voiceless music, motionless dance, and intangible sculpture. From it we can feel a sense of rhythm, a lapse of time and a constant change of scene. The more one reads, the more one is impressed by its profundity and unlimited charm.
“中国传统书画鉴赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。包括：《中国历代书法》、《中国历代山水画》、《中国历代花鸟画》、《中国历代仕女画》、《中国古代儿童生活画》、《中国古代动物画》、《中国当代国画》等7册。
汉字在最初创造的时候，和绘画、雕刻等造型艺术一样，都是对天、地、人的自身和万物的具体形象的描摹，然后再加以凝练。书法是在书写汉字基础上的艺术提升。世界上只有中国把书写实用文字和绘画、音乐、舞蹈、雕刻、文学这些艺术门类并列，并自成一体。
本书通过介绍中国历代书法家及其代表作，引导国外读者欣赏中国书法，感受中国书法艺术中蕴含的美感。
China has been noted for its calligraphy that evolved from handwriting but has developed into an independent art genre that can be placed on a par with painting, music, dance, sculpture and literature. Beyond all doubt, the technique of calligraphy is very important, but by no means the most important, as the ultimate aim of calligraphy is to use seemingly lifeless dots and lines to produce vivid pictures in the minds of viewers. And such imagery is only to be sensed, not explained. In other words, a calligraphic work can fully expose a calligrapher’s temperament, experience and erudition, and perfectly convey his outlook on life. And the calligrapher’s personal feelings are supposed to get a ready response among viewers. For this very reason, so far as the artistic strengths and weaknesses of a calligraphic work are concerned, different people have always held different views. Marvelous calligraphy is voiceless music, motionless dance, and intangible sculpture. From it we can feel a sense of rhythm, a lapse of time and a constant change of scene. The more one reads, the more one is impressed by its profundity and unlimited charm.
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