中国当代国画（英文版）
目 录内容简介
“中国古代书画欣赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。画册以通俗的语言，图文并茂的形式介绍了中国历代书法、山水画、花鸟画、仕女画、儿童生活画、动物画、当代国画等，文字简洁，内容通俗，出版了英、法、西三个文版。
“中国传统书画鉴赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。包括：《中国历代书法》、《中国历代山水画》、《中国历代花鸟画》、《中国历代仕女画》、《中国古代儿童生活画》、《中国古代动物画》、《中国当代国画》等7册。
在中国当代国画创作中，有关注现实题材创作的作品、有寄托性情的“新文人绘画”，也有写生、以临摹为主的作品……作品注重对社会生活的描绘，贴近现实，因而具有很强的时代性。
《中国当代国画》，选取当代中国有代表性的国画作品集结成册，向国外介绍能代表中国当代国画水平的画家及其代表作，期望通过该画册反映中国当代国画高水平，展示当代国画家对中国传统文化的传承和发扬。
This album collects over 140 famous paintings by contemporary Chinese painters. In early 20th Century, many Chinese painters went to Japan and Europe to learn painting, and used Western experiences in modeling and coloring for reference in an effort to reform China’s traditional painting techniques. Since the founding of the PRC in 1949, the Soviet Union’s teaching pattern came into China and lifted sketching to a supreme position, the genre of figure painting reflecting real life prospered at the expense of traditional landscape and flower-and-bird paintings. Unlike these two eras, the creation of contemporary Chinese paintings has seen a free development of various forms and styles. Though a majority of the artists are still following the Western techniques, but some have tried to go back to the ink and wash method to express modern artistic concepts, leading to a genre of “neo-literati painting” --- a
cultural phenomenon arising in the late 1980s and early 90s.
“中国传统书画鉴赏系列”是为爱好中国传统文化的外国朋友们精心选编的一套高品质画册。包括：《中国历代书法》、《中国历代山水画》、《中国历代花鸟画》、《中国历代仕女画》、《中国古代儿童生活画》、《中国古代动物画》、《中国当代国画》等7册。
在中国当代国画创作中，有关注现实题材创作的作品、有寄托性情的“新文人绘画”，也有写生、以临摹为主的作品……作品注重对社会生活的描绘，贴近现实，因而具有很强的时代性。
《中国当代国画》，选取当代中国有代表性的国画作品集结成册，向国外介绍能代表中国当代国画水平的画家及其代表作，期望通过该画册反映中国当代国画高水平，展示当代国画家对中国传统文化的传承和发扬。
This album collects over 140 famous paintings by contemporary Chinese painters. In early 20th Century, many Chinese painters went to Japan and Europe to learn painting, and used Western experiences in modeling and coloring for reference in an effort to reform China’s traditional painting techniques. Since the founding of the PRC in 1949, the Soviet Union’s teaching pattern came into China and lifted sketching to a supreme position, the genre of figure painting reflecting real life prospered at the expense of traditional landscape and flower-and-bird paintings. Unlike these two eras, the creation of contemporary Chinese paintings has seen a free development of various forms and styles. Though a majority of the artists are still following the Western techniques, but some have tried to go back to the ink and wash method to express modern artistic concepts, leading to a genre of “neo-literati painting” --- a
cultural phenomenon arising in the late 1980s and early 90s.
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