中国建筑名家文库：邹德侬文集
第一篇 建筑艺徒的学习记忆
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1．不弃愚钝，点化成形——领受徐中老师给我改图
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2．一个建筑艺徒对现代建筑思想的探求
查看完整
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1．不弃愚钝，点化成形——领受徐中老师给我改图
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2．一个建筑艺徒对现代建筑思想的探求
查看完整
邹德侬，天津大学建筑学院教授，1938年生于山东省福山县，1962年毕业于天津大学建筑系。研究方向：建筑设计及其理论，中国现代建筑史，西方现代建筑及西方现代艺术。
英译译著：《西方现代艺术史》《西方现代建筑史》（与巴竹师等合作）等6种；学术专著：《中国现代建筑史》《中国现代美术全集·建筑艺术卷2-5卷》等14种；建筑作品：青岛山东外贸大楼、南开大学经济学院、天津大学建筑系馆等20余项；主要获奖：《中国现代建筑史研究》获教育部自然科学一等奖（2002）及国家自然科学奖一等奖提名奖等10项。
英译译著：《西方现代艺术史》《西方现代建筑史》（与巴竹师等合作）等6种；学术专著：《中国现代建筑史》《中国现代美术全集·建筑艺术卷2-5卷》等14种；建筑作品：青岛山东外贸大楼、南开大学经济学院、天津大学建筑系馆等20余项；主要获奖：《中国现代建筑史研究》获教育部自然科学一等奖（2002）及国家自然科学奖一等奖提名奖等10项。
第一篇 建筑艺徒的学习记忆
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1．不弃愚钝，点化成形——领受徐中老师给我改图
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2．一个建筑艺徒对现代建筑思想的探求
Exploitation and Pursuit of Modern Architectural Thought by a Student Majored in Architecture
3．一个建筑艺徒的美术情结
A Student Majored in Architecture with Strong Interest and Feeling in Art
4．四方工厂师友多
So Many Teachers and Friends in Sifang Locomotive & Rolling Stock Works
第二篇 中国现代建筑史研究
Chapter 2 Research of History of Chinese Modern Architecture
1．他为中国现代建筑史研究奠基——跟龚德顺大师学习中国现代建筑史的日子
Master Gong Deshun Laid the Foundation for the Research of History of Chinese
Modern Architecture ——The Days Studied with Him
2．中国现代建筑史（1949 － 1984）的分期及其他
Period Division of History of Chinese Modern Architecture (1949-1984) ， etc.
3．论中国现代建筑史起始期的确定
Confirming the Beginning of History of Chinese Modern Architecture
4．二十世纪中国现代建筑概述（第一部分 中国内地）
Brief Introduction to Chinese Modern Architecture in 20th Century
(Part I China Mainland )
5．未来的历史是今天：紧急呼吁保护20 世纪50 年代以来的现代建筑遗存
History of Future is Today： Urgent Appeal for Protection of the Modern Architectural
Heritage since 1950s
6．文化底蕴，流传久远——再读文远楼
Cultural Essence Reaching Far —— Rereading Wen Yuan Building
7．利用中的保护，保护中的效益——谈澳门建筑遗存的开发性保护
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
8．在国际性和国家性建筑框架里的中国现代建筑
Chinese Modern Architecture in International and National Architectural Frame
9．一个进步的创作趋势——谈建筑中象征和隐喻的概念与近来的实践
A Progressive Creation Tendency ——About Symbolism and Metaphor in Architecture
and Recent Practice
10．中国地域性建筑的成就、局限和前瞻
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
11．二十年艰辛话进退——中国当代建筑创作中的模仿和创造
About Progress and Backwardness in 20 Years Hardships and Difficulties ——Imitation
and Creation in Chinese Modern Architecture
12．“适用、经济、美观”三要素三为一体 —— 全社会应当共守的建筑原则
Combination of the Three Elements“Suitability， Economy and Beauty” ——
Architectural Principle Should Be Followed by the Whole Society
13．20 世纪50 至80 年代中国建筑的现代性探索
Exploration of Modernity of Chinese Architecture in 1950s-1980s
14．向未来展示什么样的建筑
What Kind of Architecture to Show to the Future
15．一个时代的社会变革，一个甲子的建筑进步——纪念中国建筑60 年
Social Transformation of an Age and Architectural Progress —— Commemorating 60
Years of Chinese Architecture
第三篇 现代建筑理论与评论
Chapter 3 Modern Architectural Theory and Comment
1．旧题新探——谈建筑设计教学与生产任务的结合
New Exploration of the Old Issue ——About Combination of Architectural Design
Teaching and Production Task
2．建筑理论、评论和创作
Architectural Theory， Comment and Creation
3．莫为建筑添蛇足
Not Adding Something to Architecture as Adding Feet to a Snake
4．“真实”是建筑艺术的品格
“Truth” ——The Quality and Style of Architecture
5．建筑师的心愿：请社会理解建筑
Aspiration of Architects： Please Understand Architecture
6．可知、可行是建筑理论的必备品格 —— 再谈引进外国建筑理论的经验教训
The Understandable and the Practicable is the Essential Quality and Style of
Architectural Theory —— The Second Talk about the Experience and Lesson of
Introducing Foreign Architectural Theoriesr
7．优秀建筑论 —— 淡化“风格”“流派”，创造“优秀建筑”
About Excellent Architecture —— Weakening“Style”or“ School”，
Creating“Excellent Architecture”
8．“基本功”与“创造力”—— 建筑设计“三段教学体制”构想
“Basic Skills” and “Creativity” ——Conception about“Three Steps of Teaching
System” of Architectural Design
9．论布正伟建筑师的创作理论体系《自在论》
About“Free and Easy”Creative Thinking System by Architect Bu Zhengwei
10．中国现代建筑理论的解困——五谈引进外国建筑理论的经验教训
Dealing with the Difficult Situation of Chinese Modern Architectural Theory ——The Fifth Talk
about the Experience and Lesson of Introducing Foreign Architectural Theories）
11．话说建筑的表情
Talking about Expression of Architecture
12．一个虚幻的神话——“天人合一”说解决城市生态危机置疑
An Illusory Fairy Tale——Doubts about Solving Ecological Crisis of Cities by“Unity of
Heaven and Man”
13．梁思成建筑理论的魅力和境遇——纪念梁思成先生诞辰100 周年
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
14．当代建筑理论的再定位
Anticipated Conformity of Various Theories —— Establishing Architectural Theory
Frame on the Thought Platform with Chinese Characteristics
15．理论万象的前瞻性整合——建筑理论框架的建构和中国特色的思想平台
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
16．引进外国建筑理论20 余年之再思索——写在改革开放30 年之际
Rethinking about Introducing Foreign Architectural Theories over 20 Years —— Writing
at the Moment of 30 Years of “Opening and Reforming”
17．何苦言必称“世纪”
Why Always Say“Century”
第四篇 中外现代建筑之比较
Chapter 4 Comparison between Chinese Modern Architecture and Foreign
Modern Architecture
1．一个似曾相识的理论——关于后现代主义
A Seemingly Familiar Theory ——About Post-modernism
2．两次引进外国建筑理论的教训 —— 从“民族形式”到“后现代建筑”
Lessons from Twice Introducing Foreign Architectural Theories —— From“National
Form”to“Post-modern Architecture”
3．从现代艺术看解构主义：迟到了的“反形式”和“纯建筑”
Looking Deconstruction from Modern Art ： the Late“Deform”and“Pure Architecture”
4．从半个后现代到多个解构——三谈引进外国建筑理论的经验教训
From Half Post-modernism to Multi-deconstruction —— The Third Talk about the
Experience and Lesson of Introducing Foreign Architectural Theories
5．苏州平江历史街区保护规划的战略思想及理论探索
The Explorations on the Strategic Thinking and Theory of the Conversation Planning
for the Historic Quarters of Pingjiang， Suzhou
6．回归第三世界 回归基本目标
Returning to the Third World， Returning to the Basic Goal
8．从先锋建筑手法的标新立异看建筑创作的进步和倒退
Observing Progress and Retrogression of Architectural Creation from Novelty and
Originality of Avant-guard Architectural Approach
9．呼唤开放的社团精神！——纪念当代建筑文化沙龙成立10 周年
Calling for the Open Spirit of Society！—— Commemorating the 10th Anniversary of
the Founding of Contemporary Architectural Salon
10．外国建筑师作品的引进：经验在形式之外
Introduction from Works of Foreign Architects： Experience beyond Form
11．印度与西方现代建筑的对话
Dialogue between India Modern Architecture and Western Modern Architecture
12．隔而不绝，交而待融 ——中外建筑文化交流50 年
Separation without Isolation， Communication Expecting Combination——50 Years of
Communication between Chinese and Foreign Architectural Culture
13．城市特色何处寻
Where to Find Characteristics of Cities
14．尊重世界，尊重自己：对伪欧陆风的换位批评
Respecting the World， Respecting Ourselves： Criticism to False European Style from
Reverse Perspective
第五篇 对吴冠中艺术的观察
Chapter 5 Observation of the Art of Wu Guanzhong
1．建筑师与现代艺术 —— 现代艺术中的创造精神
Architects and Modern Art —— Creative Spirit in Modern Art
2．吴冠中艺术对建筑师的启示 —— 关于引进外国建筑理论问题的思考
Revelation of the Art of Wu Guanzhong to Architects — About Thinking of the Problem
of Introducing Foreign Architectural Theory
3．为现代性而战斗：吴冠中艺术的第一品格
Struggling for Modernity： the First Quality and Style of the Art of Wu Guanzhong
4．《看日出：吴冠中老师 66 封信中的世界》序言
Preface to“ Observing the Sun Rising： the World in 66 Letters of Wu Guanzhong”
^ 收 起
Chapter 1 Reminiscences of Learning as a Student Majored in
Architecture
1．不弃愚钝，点化成形——领受徐中老师给我改图
Never Disliking Foolishness and Always Turning a Crude Work into a Polished One ——
Appreciating the Correction for My Design by Professor Xu Zhong
2．一个建筑艺徒对现代建筑思想的探求
Exploitation and Pursuit of Modern Architectural Thought by a Student Majored in Architecture
3．一个建筑艺徒的美术情结
A Student Majored in Architecture with Strong Interest and Feeling in Art
4．四方工厂师友多
So Many Teachers and Friends in Sifang Locomotive & Rolling Stock Works
第二篇 中国现代建筑史研究
Chapter 2 Research of History of Chinese Modern Architecture
1．他为中国现代建筑史研究奠基——跟龚德顺大师学习中国现代建筑史的日子
Master Gong Deshun Laid the Foundation for the Research of History of Chinese
Modern Architecture ——The Days Studied with Him
2．中国现代建筑史（1949 － 1984）的分期及其他
Period Division of History of Chinese Modern Architecture (1949-1984) ， etc.
3．论中国现代建筑史起始期的确定
Confirming the Beginning of History of Chinese Modern Architecture
4．二十世纪中国现代建筑概述（第一部分 中国内地）
Brief Introduction to Chinese Modern Architecture in 20th Century
(Part I China Mainland )
5．未来的历史是今天：紧急呼吁保护20 世纪50 年代以来的现代建筑遗存
History of Future is Today： Urgent Appeal for Protection of the Modern Architectural
Heritage since 1950s
6．文化底蕴，流传久远——再读文远楼
Cultural Essence Reaching Far —— Rereading Wen Yuan Building
7．利用中的保护，保护中的效益——谈澳门建筑遗存的开发性保护
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
8．在国际性和国家性建筑框架里的中国现代建筑
Chinese Modern Architecture in International and National Architectural Frame
9．一个进步的创作趋势——谈建筑中象征和隐喻的概念与近来的实践
A Progressive Creation Tendency ——About Symbolism and Metaphor in Architecture
and Recent Practice
10．中国地域性建筑的成就、局限和前瞻
Protection in Utilization， Benefits in Protection —— About Developing Protection of
Architectural Heritage in Macao
11．二十年艰辛话进退——中国当代建筑创作中的模仿和创造
About Progress and Backwardness in 20 Years Hardships and Difficulties ——Imitation
and Creation in Chinese Modern Architecture
12．“适用、经济、美观”三要素三为一体 —— 全社会应当共守的建筑原则
Combination of the Three Elements“Suitability， Economy and Beauty” ——
Architectural Principle Should Be Followed by the Whole Society
13．20 世纪50 至80 年代中国建筑的现代性探索
Exploration of Modernity of Chinese Architecture in 1950s-1980s
14．向未来展示什么样的建筑
What Kind of Architecture to Show to the Future
15．一个时代的社会变革，一个甲子的建筑进步——纪念中国建筑60 年
Social Transformation of an Age and Architectural Progress —— Commemorating 60
Years of Chinese Architecture
第三篇 现代建筑理论与评论
Chapter 3 Modern Architectural Theory and Comment
1．旧题新探——谈建筑设计教学与生产任务的结合
New Exploration of the Old Issue ——About Combination of Architectural Design
Teaching and Production Task
2．建筑理论、评论和创作
Architectural Theory， Comment and Creation
3．莫为建筑添蛇足
Not Adding Something to Architecture as Adding Feet to a Snake
4．“真实”是建筑艺术的品格
“Truth” ——The Quality and Style of Architecture
5．建筑师的心愿：请社会理解建筑
Aspiration of Architects： Please Understand Architecture
6．可知、可行是建筑理论的必备品格 —— 再谈引进外国建筑理论的经验教训
The Understandable and the Practicable is the Essential Quality and Style of
Architectural Theory —— The Second Talk about the Experience and Lesson of
Introducing Foreign Architectural Theoriesr
7．优秀建筑论 —— 淡化“风格”“流派”，创造“优秀建筑”
About Excellent Architecture —— Weakening“Style”or“ School”，
Creating“Excellent Architecture”
8．“基本功”与“创造力”—— 建筑设计“三段教学体制”构想
“Basic Skills” and “Creativity” ——Conception about“Three Steps of Teaching
System” of Architectural Design
9．论布正伟建筑师的创作理论体系《自在论》
About“Free and Easy”Creative Thinking System by Architect Bu Zhengwei
10．中国现代建筑理论的解困——五谈引进外国建筑理论的经验教训
Dealing with the Difficult Situation of Chinese Modern Architectural Theory ——The Fifth Talk
about the Experience and Lesson of Introducing Foreign Architectural Theories）
11．话说建筑的表情
Talking about Expression of Architecture
12．一个虚幻的神话——“天人合一”说解决城市生态危机置疑
An Illusory Fairy Tale——Doubts about Solving Ecological Crisis of Cities by“Unity of
Heaven and Man”
13．梁思成建筑理论的魅力和境遇——纪念梁思成先生诞辰100 周年
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
14．当代建筑理论的再定位
Anticipated Conformity of Various Theories —— Establishing Architectural Theory
Frame on the Thought Platform with Chinese Characteristics
15．理论万象的前瞻性整合——建筑理论框架的建构和中国特色的思想平台
Fascination and Circumstances of Architectural Theory of Liang Sicheng ——
Commemorating the One Hundredth Birthday of Liang Sicheng
16．引进外国建筑理论20 余年之再思索——写在改革开放30 年之际
Rethinking about Introducing Foreign Architectural Theories over 20 Years —— Writing
at the Moment of 30 Years of “Opening and Reforming”
17．何苦言必称“世纪”
Why Always Say“Century”
第四篇 中外现代建筑之比较
Chapter 4 Comparison between Chinese Modern Architecture and Foreign
Modern Architecture
1．一个似曾相识的理论——关于后现代主义
A Seemingly Familiar Theory ——About Post-modernism
2．两次引进外国建筑理论的教训 —— 从“民族形式”到“后现代建筑”
Lessons from Twice Introducing Foreign Architectural Theories —— From“National
Form”to“Post-modern Architecture”
3．从现代艺术看解构主义：迟到了的“反形式”和“纯建筑”
Looking Deconstruction from Modern Art ： the Late“Deform”and“Pure Architecture”
4．从半个后现代到多个解构——三谈引进外国建筑理论的经验教训
From Half Post-modernism to Multi-deconstruction —— The Third Talk about the
Experience and Lesson of Introducing Foreign Architectural Theories
5．苏州平江历史街区保护规划的战略思想及理论探索
The Explorations on the Strategic Thinking and Theory of the Conversation Planning
for the Historic Quarters of Pingjiang， Suzhou
6．回归第三世界 回归基本目标
Returning to the Third World， Returning to the Basic Goal
8．从先锋建筑手法的标新立异看建筑创作的进步和倒退
Observing Progress and Retrogression of Architectural Creation from Novelty and
Originality of Avant-guard Architectural Approach
9．呼唤开放的社团精神！——纪念当代建筑文化沙龙成立10 周年
Calling for the Open Spirit of Society！—— Commemorating the 10th Anniversary of
the Founding of Contemporary Architectural Salon
10．外国建筑师作品的引进：经验在形式之外
Introduction from Works of Foreign Architects： Experience beyond Form
11．印度与西方现代建筑的对话
Dialogue between India Modern Architecture and Western Modern Architecture
12．隔而不绝，交而待融 ——中外建筑文化交流50 年
Separation without Isolation， Communication Expecting Combination——50 Years of
Communication between Chinese and Foreign Architectural Culture
13．城市特色何处寻
Where to Find Characteristics of Cities
14．尊重世界，尊重自己：对伪欧陆风的换位批评
Respecting the World， Respecting Ourselves： Criticism to False European Style from
Reverse Perspective
第五篇 对吴冠中艺术的观察
Chapter 5 Observation of the Art of Wu Guanzhong
1．建筑师与现代艺术 —— 现代艺术中的创造精神
Architects and Modern Art —— Creative Spirit in Modern Art
2．吴冠中艺术对建筑师的启示 —— 关于引进外国建筑理论问题的思考
Revelation of the Art of Wu Guanzhong to Architects — About Thinking of the Problem
of Introducing Foreign Architectural Theory
3．为现代性而战斗：吴冠中艺术的第一品格
Struggling for Modernity： the First Quality and Style of the Art of Wu Guanzhong
4．《看日出：吴冠中老师 66 封信中的世界》序言
Preface to“ Observing the Sun Rising： the World in 66 Letters of Wu Guanzhong”
^ 收 起
邹德侬，天津大学建筑学院教授，1938年生于山东省福山县，1962年毕业于天津大学建筑系。研究方向：建筑设计及其理论，中国现代建筑史，西方现代建筑及西方现代艺术。
英译译著：《西方现代艺术史》《西方现代建筑史》（与巴竹师等合作）等6种；学术专著：《中国现代建筑史》《中国现代美术全集·建筑艺术卷2-5卷》等14种；建筑作品：青岛山东外贸大楼、南开大学经济学院、天津大学建筑系馆等20余项；主要获奖：《中国现代建筑史研究》获教育部自然科学一等奖（2002）及国家自然科学奖一等奖提名奖等10项。
英译译著：《西方现代艺术史》《西方现代建筑史》（与巴竹师等合作）等6种；学术专著：《中国现代建筑史》《中国现代美术全集·建筑艺术卷2-5卷》等14种；建筑作品：青岛山东外贸大楼、南开大学经济学院、天津大学建筑系馆等20余项；主要获奖：《中国现代建筑史研究》获教育部自然科学一等奖（2002）及国家自然科学奖一等奖提名奖等10项。
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